Understanding exposure - exposure triangle
The article also introduced the concept of an exposure value table and how we can calculate corresponding shutter speed and aperture combinations from it. But how do these combinations relate to each other? That is where understanding the exposure triangle can be of benefit.
The illustration at right gives a hint on how interconnected these elements are to each other and what aspect of photography each element influences. So let's take a closer look at our exposure triangle.
We started our last post with an explanation of how a camera captures an image. To reiterate, a camera records an image by exposing film or digital sensor to light entering through a lens for a predetermined length of time. The size of the opening in a lens determines the quantitative amount of light that enters the tube. This opening is known as aperture or more comonly as the f-stop. The length of time the film or sensor is exposed to the light is known as the exposure time or length of exposure or more simply as shutter speed.
The only thing we did not cover in detail was ISO. As most exposure tables default to an ISO of 100, I glossed over that part with the goal of keeping things simple. ISO refers to the receptive sensitivity of film or digital sensor to the light striking it. The higher the number the more sensitive it is to light.
We now have all the parts of our exposure triangle; aperture, shutter speed, ISO and luminance value. "But a triangle has three sides. You just listed four elements," you say. When we discuss exposure we are actually talking about solving a problem. The problem is how to capture the light that we see by adjusting the three elements found on your camera. The fourth element is the light itself. In order for the light to enter into our calculation it needs to be converted into a value. This value is called an exposure value (Ev).
For this article we will be focusing on available natural light for simplicity as this is the most commonly found light. Since we have no real control of our natural light1 we have to concentrate on those element we can change; aperture, shutter speed and ISO.
The easiest way to understand exposure is to become familiar with your camera's built-in light meter. There are two types of meters, incident meters and reflective meters. Incident meters are those hand-held meters you see portrait and fashion photographers using. We will be concentrating on the meter in your camera, a reflective meter.
Incident light is light that falls onto your subject from a light source (sun, light bulb, etc.). That light hits and reflects from the subject to the camera. The reflected light enters your camera's lens and is read by the meter. That reading is calculated, converted to an exposure value and when combined with your camera's settings (aperture, shutter speed and ISO) it is displayed in the form of a numerical graph.
To obtain proper exposure you need to adjust one or more of the three elements (aperture, shutter speed, ISO) until the exposure indicator is centered on "0". To activate your meter simply press your shutter button half way. Your meter should be displayed in the view finder depending on our camera's features (check your instruction manual). The problem that arises is knowing which element to adjust and that's a common question I get asked all the time. Let's break down what each of these elements do.
ISO for Image Sensor Sensitivity
This is an acronym for Industry Standards Organization which is in fact a photo standard set by the International Organization for Standards (ISO.org). ISO is a network of the national standards institutes of 163 countries, one member per country, with a Central Secretariat in Geneva, Switzerland, that coordinates the standardization system.
For us photographers, ISO stands for the sensitivity value assigned to our camera's photovoltaic sensor as it collects light and converts it into electrical signals. The camera's computer then converts those signals into data we are able to read with imaging software. Some cameras can go as low as ISO 50 or 25 but ISO 100 and 200 are more the norm. As the number grows higher the sensitivity increases making low light image capture more feasible.
Each increase in ISO is a doubling of sensitivity; 50, 100, 200, 400, 800, etc. Each step is termed a stop and it is this standardization that makes calculating our exposure values easier (see "Understanding exposure - stops"). So remember, higher ISO equals more light sensitivity in darker situations.
APERTURE for Depth of Field
Aperture refers to the size of the opening in a lens that allows light to enter the lens. The type, use, focal length and quality of the lens dictates the range and number of stops the lens can open to. As with ISO above, aperture stops double the amount of light with each increase in size opening.
Aperture controls the depth of field recorded in the image. Depth of field refers to the area of sharp focus in an image. The bigger the lens opening the shallower the depth of field is, the less of the image that is in focus. In simple terms, the more light the opening lets in the more scatter there is. That scattered light is recorded as being out of focus with the central part being the most in focus. The tighter the opening the more concentrated the light is, less scatter. This records as a sharper image on the sensor. So remember, the bigger the opening the less your image will be in focus and the smaller the opening the more it will be in focus.
SHUTTER SPEED for Action Speed
The last part of our exposure trifecta is shutter speed. This controls how quickly the camera's shutter opens and closes to record an image on the film or sensor. The slower the speed the more light it records. The trick is to balance the amount of light the camera allows in without causing blurring due to camera movement or movement of the subject. Once you understand how shutter speed affects how an image is recorded, you can cause some very creative effects by controlling time.
As with ISO and aperture above, each step in shutter speed will either double or halve the amount of light depending on if you slow down or speed up the time respectively. So remember, a slower shutter speed will cause the action to blur while a faster speed will cause the action to stand still.
1. This is a simplification. We can actually modify available light by moving our subject (if possible) or adding modifiers. That will be for another post.