Friday, February 13, 2015

Image File Organization Part Three


This is the conclusion of a three part article on image file organization. If you haven't yet, take a few minutes to read Part One and Part Two.

To this point you should have an understanding of how to get your images organized in such a way that makes finding them easier. Although the previous method discussed was about organizing personal images the same holds true for client work, with some minor adjustments.

If you are a working professional, many of your private images likely cross over to your paid work. Technically you can claim that you are your own client but let's not confuse things.

Thursday, February 12, 2015

Image File Organization Part Two


In "Image File Organization, Part One" I introduced a folder structure for organizing working image files that come off the camera for editing. In part two I will expand on a file structure for derived work from your working files. In other words, images output from your edits. After all, one image may be saved at several different sizes for different needs. These files I consider to be my Portfolio pieces. While they may not all be displayed in a typical portfolio format, they all showcase my work, whether on Facebook, Flickr, Shutterfly or my own portfolio site.

Before moving forward though, I strongly suggest taking a quick inventory of all the typical formats you use in your image sharing. Take everything into account. Social media sites like Facebook or MySpace, image sharing sites like Flickr and 500PX, forums, blogs and personal web sites. Anything where your images are posted and shared. You might also keep print output in mind as well since these files need to be stored somewhere. In particular, take note of image sizes and whether they are watermarked or not.

Wednesday, February 11, 2015

Image File Organization Part One


One of the biggest hurdles for many hobbyist photographers (and some pros also) is how to properly organize digital images. Long gone are the flat boxes of print and negative storage. Today it is a matter of disc space.

But it's not just disc space. There are multiple issues that need to be considered and addressed. Working files need to be organized into logical groups. They need to be able to be accessed by Digital Asset Manager (DAM) and editing programs like Lightroom and Photoshop. They should also be available outside of any program.

In short, good file organization is key to maintaining a good workflow, from initial capture to final output.

Sunday, November 23, 2014

Tips for aspiring models


Not many people know this but back in my youth I used to model. Yep, that image on the right is me when I was in my twenties. It surfaced recently when I was doing some attic cleaning. Handsome guy, wasn't I?

For six years I was an active model-for-hire for the Barbizon Agency of New Haven. Sadly there are no more Barbizon schools in Connecticut. I was also an instructor, teaching their Major Modeling curriculum. As you can tell, teaching has always been in my blood. But that's not what I want to address in this post. This article is directed to those who are looking to model. If you are a photographer looking to work with models you might want to read this too, but primarily I am targeting models here.

There are many young people (mostly young girls) who still fantasize about becoming a model. Maybe one of those is you. While I don't want to discourage you from that dream I would like to address some very important and serious points about pursuing a modeling career. So, in no particular order, here are some thoughts to keep in mind;

Thursday, October 30, 2014

Navigating the sea of lenses


When it comes to interchangeable lenses the choices can be very overwhelming. The number one question I get asked, which is also one of the most common ones found on internet forums, is, "what kind of lens should I get?"

It's an unfair question since no one can guess individual needs, considering there are so many variables. What do you have already? What do you like taking pictures of? What is your budget? What is the intended end use of your images? What kind of camera do you have? What is... well, you get the idea.

While the above question may be a common one the core problem is the lack of knowledge about lenses in general. I will try to cover some of the more common answers here, just keep in mind that it is by no means complete nor comprehensive.